The full 10 pg explanation of the piece's architecture and sacred geometry is in the full score sheet music pdf. Briefly, here is just the first page:
The official story of how Paris derived its name is based on a Celtic Iron Age tribe (the Parisii) that inhabited the area around 250 BC. This tribe actually came from the Parrhasians of Arcadia, went on to become the Celtic Parissi, and were then enveloped by Rome. Legend says they came to France from Arcadia, under the lead of Hercules (according to John Baptist Mantuanus). At any rate, the Parisii (a tribe of Isis worshipers), were eventually enveloped in this new Roman empire by the 3rd century AD. Thus the saying "Only Paris is worthy of Rome; only Rome is worthy of Paris."
These deep and cryptic origins of Paris continue. According to Bernard Mathieu:
"...Isis was named Pelagia (of the sea), or Euploia (of safe navigation) and Pharia (of Pharos), and was said to have invented the sail and had a temple on the island of Pharos. She was so famous in the whole Mediterranean world that we find her even in the 17th century manuscripts, and comfortably installed ont the prow of the boat on the coat-of arms of Paris which Napoleon commissioned in 1811..."
From Graham Hancock and Robert Bauval's 'The Master Game:'
"Julian [the Apostate] had governed Gaul - ancient France - for five years and had resided in Lutecia, ancient Paris, for three years between AD 358 and AD 360. Julian and his wife Helen were also devotees of the Alexandrian god Serapis and the goddess Isis-Pharia, and
may have imposed, or at the very least encouraged, her cult on the inhabitants of Lutecia.
At any rate, [17th century writer] Jean Tristan was to write:
'The Parisians received their name of Paria-Isis, because of the cult of this goddess which had been introduced in Illyria and in Gaul, in the region next to the River Seine and in Lutecia, called 'Lutecia of the Parisians' or Farisians...' "
Hancock and Bauval continue:
"As further support to this hypothesis, the French classicist Jurgis Baltrusaitis points out that in a fragment of a manuscript from Saint-Hilaire concerning the Council of Rimini, the city of Paris is actualy referred by him as 'Farisea Civitas,' ie the 'city of the Farisians'
or, as Jean Tristan has suggested, the city of those who worship Isis-Pharis or Faria-Isis..."
To this day, how fitting that 'Paris' and 'ISIS' are inextricably linked in a Grand Rite of Innocent Blood Sacrifice.
In Ancient Egypt, the Isis cult consisted mostly of material
sacrifices, such as donations and fasting, and devotees were very public with their displays of worship to the goddess. It was at one time perhaps the largest competitor of Christianity,
with a more equal treatment of women (female priests etc).
This Goddess of Rebirth has apparently undergone a rebirth of her cult in the modern world.
Many dark (sombre) secrets lie hidden in plain sight in the modern city of Paris; the gateway of Isis and Egypt and Hermetic thinking to the West...
"Why MIDI software? Why the purposefully shitty audio quality? Why the gimmicky, nostalgia-as-commercialism floppy disk format? Because we chose to, motherfuckers. And choice is the antidote." Connor Helms
Check out 'Wax Apple' "...equipment from the BBC Radiophonic Workshop The palette of sounds created during these sessions lends the album the sound of early electro-acoustic experimentation" Connor Helms
The latest release in the great Clan Destine label’s “20/20” series, v.9.3. showcases a new lineup of hard techno producers. Bandcamp New & Notable Oct 25, 2020
